Breathe Free Press is a literary magazine of resistance and awareness dedicated to the essay: narrative; cross-genre; flash; experimental; critical; travel and lyric essays.
We are happy to announce the success of our first call for submissions. Our inaugural issue launched May 2017. Breathe Free Press plans to publish four online issues a year. Next issue prospective publication is scheduled for August 15, 2017.
Breathe Free Press interest is in art, not journalism—in literary observation funneled through social awareness in essayistic narratives that subvert genre constraints.
The essays we seek allude, intimate, insinuate, attempt, analyze, critique, express: attentive to language and cultural associations. Themes that transform and transgress metanarratives of authority and power structures. We welcome, generous, graceful conscious writing.
Breathe Free Press only accepts submissions through Submittable. We do not charge a reading fee at present. Alternately at this time, breathefreepress.org is unable to pay for your invaluable work.
Please double space all submissions except where the textual structure is integral to meaning.
We are equally interested in hearing from emerging and established writers. Please include a cover letter to acquaint the editors with the author behind the work. We understand and encourage simultaneous submissions, but please share your good news of acceptance elsewhere.
Thank you for considering Breathe Free Press. We promise to give your work a close reading. We ask for first one-time electronic rights.
Please email questions to firstname.lastname@example.org
Breathe Free Press is a new online literary magazine of resistance and awareness, dedicated to promoting essay. Please submit your narrative essays; cross-genre; flash; experimental; critical; travel and lyric essays.
This is our first call for submissions. Breathe Frees Press offers an amiable space for the work of emerging writers invested in essay as an art form.
We endeavor to publish progressive essays of literary resistance to challenge the normalization of regressive tropes of renascent authoritarian nationalist power threatening to repress diversity and difference. The essays we seek allude, intimate, insinuate, attempt, analyze, critique, express. Essays that are attentive to language and cultural associations. Essays which transforms and transgress metanarratives of authority and power structures. We welcome, generous graceful conscious writing.
Breathe Free Press only accepts submissions through Submittable. We do not charge a reading fee at present. Double space requested for all submissions except where form is integral to the textual structure.
We support the unpublished work of emerging and established writers. Please include a cover letter to acquaint the editors with the author behind the work. We understand and encourage simultaneous submissions but ask to be notified of acceptance elsewhere.
If you have questions, please email Deborah at email@example.com
Because, the lyric essay liberates writer’s writing beyond genre constraints:
Because, lyric essay is subversive: It subverts the convention of genre.
Because, mind discovers in fragments: The lyric essay’s open form is suitable to the writing mind.
Because, it permits inclusivity and diversity: The lyric essay is free of constraint.
Because, writing can practice compassion: The lyric essay resembles the human condition.
Because, writing explores: The lyric essay releases the mind from physical confinement in a body constrained by space and time.
Because, words are the media used to translate images to the page: The lyric is an aperture, a meditation on engaged passion.
Because, I am a dreamer: The lyric essay is a mind map, an idiosyncratic map for a dreamer in timeless communication.
Because, I desire community: The lyric essay is minded in gravity free space, trusting the process.
Because, books are sustainable: The lyric essay is an inactive conversation with literature’s generous minds.
Because, I resist : The lyric essay does not wish to persuade, but distills perception through discovery, serendipity, and wonder.
Somewhere, around the midpoint of frustration with fiction, the writer encountered the lyric essay.
Essays of temporary immersion into the quotidian and historic. Narratives of interaction with place and identity to examine, explore and embrace the response of self as a stranger in someone’s home. Essays of translation of sensation and strangeness. Narratives of voluntary defamiliarization, loneliness of wanderlust and discovery in communal exchange that expands and collapses time.